There are plays that move beyond the boundaries of entertainment to become moral experiences. “Lạc” is one of them. Refusing to make itself “easy viewing”, and resisting the temptation to manipulate emotions through melodrama or cheap tears, the production chooses a more demanding path: placing the audience in a state of self-interrogation. No one is … Continue reading “Lạc” – When the Stage Is No Longer a Place for Storytelling, but a Courtroom for Conscience